Images pre-exist humans in camouflage, the flounder cloaked upon the oyster bed, the eyespot on a moth's wing, evolutionary landscape painting copied and pasted forward in time. A mark, a performative mask, a bleeding puppet, the rhythm of a body in motion, these are attempts to share a consciousness of play in the spaces between living and dying.

We are social animals performing in time, loving, attending, deluding, consuming and being consumed. Physical actions and absurdity are grounding, revealing approaches to making. This is the honest path forward for creating work, for human solidarity.   

Love is an animal with other animals inside it.